By Byeongwon Ha : : Fav(panopt)icon Project explores this phenomenon by using favicons, website icons, to symbolize user agreement with cookie policies. The adoption of a panopticon perspective within Fav(panopt)icon Project adds an intriguing layer to the exploration of online privacy and user consent. Traditionally associated with architectural structures designed for constant surveillance, the [ … ]
By Byeongwon Ha : : MAGAA serves as a platform, offering the audience a public sphere where they can engage in dialogues about ‘Make America Great Again.’ Visitors are encouraged to either uphold the default image of the American flag or deconstruct it according to their own perspectives by posting their [ … ]
By Byeongwon Ha : : The title Virtual Reality in the Expanded Field was inspired by the legendary article “Sculpture in the Expanded Field” written by Rosalind Krauss. The art critic explored a new phenomenon in sculpture that was neither landscape nor architecture. Similarly, Virtual Reality in the Expanded Field navigates a new kind [ … ]
By Byeongwon Ha : : Inspired by Joseph Beuys’s Capri Battery (1985) and Christa Sommerer and Laurent Mignonneau’s A-Volve (1994–97), Washing My Hands symbolizes purification and healing, transforming handwashing into a ritualistic engagement with nature. This project merges the act of washing hands with a synesthetic performance that integrates both live music composition and abstract visual [ … ]